The recommended retail price of the Leica Q3 43 is £5900 / $6895 and it is available in grey/black. It is designed and made in Germany. There is only really one key difference between the new Leica Q3 ...

The thumbnails below link to full-sized samples taken with the Canon RF 24mm F1.4L VCM lens mounted on a Canon EOS R5 Mark II camera.

The Canon RF 24-105mm f/4L IS USM is the standard kit lens for the new Canon EOS R full frame mirrorless camera, but is it any good? Find out if you should buy one to go with your EOS R by reading our ...

The RF 14-35mm F4L IS USM is an affordable ultra-wide-angle zoom lens for Canon's EOS R-series cameras. Is this a must-have lens for Canon full-frame mirrorless owners? Find out now by reading our ...

Fujifilm are well-known for their traditional approach to design, with the vast majority of their APS-C and medium format models resembling classic cameras from the past. Aperture rings adorn most ...

The Fujifilm XM5 and XE4 look quite different but cost exactly the same, with the former aimed primarily at smartphone upgraders and vloggers and the latter at more traditional photo-enthusiasts who ...

For this test, the Sigma 28-105mm F2.8 DG DN Art lens was attached to a Panasonic Lumix S5II body, which was in turn mounted to a sturdy tripod. Exposure delay mode was activated. Tonal and colour ...

The days of third-party lens manufacturers just making generic, budget copies of the marquee brands are long gone, and the new Sigma 28-105mm F2.8 DG DN Art for E-mount and L-Mount cameras is most ...

Although they look quite different and occupy different price-points, the Fujifilm XM5 and XS20 actually share a lot of similarities when it comes to their key specifications and features, so much so ...

The new XF 150-600mm is Fujifilm's longest zoom lens to date, and we're happy to report that it's also one of the company's best. Find out if this impressive super-zoom is right for you by reading our ...

The Fujifilm XM5 and XT30II look quite different but cost exactly the same, with the former aimed primarily at smartphone upgraders and vloggers and the latter at more traditional photo-enthusiasts.